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	<title>taiga trigo</title>
	<link>https://taigatrigo.com</link>
	<description>taiga trigo</description>
	<pubDate>Wed, 19 Jun 2024 11:38:36 +0000</pubDate>
	<generator>https://taigatrigo.com</generator>
	<language>en</language>
	
		
	<item>
		<title>HOME</title>
				
		<link>https://taigatrigo.com/HOME</link>

		<pubDate>Mon, 31 Jan 2022 15:19:48 +0000</pubDate>

		<dc:creator>taiga trigo</dc:creator>

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		<description>

	
	
	
	
	CONTACT
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	<item>
		<title>Index</title>
				
		<link>https://taigatrigo.com/Index</link>

		<pubDate>Mon, 31 Jan 2022 15:19:48 +0000</pubDate>

		<dc:creator>taiga trigo</dc:creator>

		<guid isPermaLink="true">https://taigatrigo.com/Index</guid>

		<description>Taiga Trigo 2022</description>
		
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	<item>
		<title>Mobile header</title>
				
		<link>https://taigatrigo.com/Mobile-header</link>

		<pubDate>Mon, 31 Jan 2022 15:19:49 +0000</pubDate>

		<dc:creator>taiga trigo</dc:creator>

		<guid isPermaLink="true">https://taigatrigo.com/Mobile-header</guid>

		<description>&#60;img width="336" height="191" width_o="336" height_o="191" data-src="https://freight.cargo.site/t/original/i/e45177b433c6d18d65139c8368a3c8f8f8b83b375f06b02800e86750e5bfd9de/Screen-Shot-2022-01-26-at-19.05.38.png" data-mid="132381637" border="0"  src="https://freight.cargo.site/w/336/i/e45177b433c6d18d65139c8368a3c8f8f8b83b375f06b02800e86750e5bfd9de/Screen-Shot-2022-01-26-at-19.05.38.png" /&#62;
Taiga Trigo
EmailInstagram</description>
		
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	<item>
		<title>New index</title>
				
		<link>https://taigatrigo.com/New-index</link>

		<pubDate>Mon, 31 Jan 2022 15:19:49 +0000</pubDate>

		<dc:creator>taiga trigo</dc:creator>

		<guid isPermaLink="true">https://taigatrigo.com/New-index</guid>

		<description>Taiga Trigo 2022</description>
		
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	<item>
		<title>THE CHILLOUT ZONE</title>
				
		<link>https://taigatrigo.com/THE-CHILLOUT-ZONE</link>

		<pubDate>Mon, 31 Jan 2022 15:19:49 +0000</pubDate>

		<dc:creator>taiga trigo</dc:creator>

		<guid isPermaLink="true">https://taigatrigo.com/THE-CHILLOUT-ZONE</guid>

		<description>

The Chillout Zone,


a kinetic sound-artwork and ambient music playground





The Chillout Zone is a kinetic sound installation and an interactive sanctuary for both relaxation and play. Blurring the boundaries between an infant’s crib, a festival’s resting space and a musician’s mixing studio, it offers a space where sound, embodiement, and stillness converge.

At its heart lies a spacious, cushioned environment beneath a suspended wooden mobile, surrounded by speakers and ambient lighting. Acoustic instruments, and electronic controllers -triggering samples or automations - are suspended above the visitors. Designed for groups of two to five participants of any age. It invites visitors to recline, immerse themselves, and shape a unique sonic atmosphere of their liking.

Here, rest and creation intertwine. Without prior experience, participants can intuitively mix and manipulate harmonious soundscapes, each element chosen to complement the others. The act of playing is inherently collaborative, no single person can activate it alone. Some instruments are only accessible by foot, while others respond to the subtlety of touch and conduction, making the experience embodied and tactile..

By fostering shared exploration and connection, The Chillout Zone becomes more than an installation; it is an invitation to slow down, tune in, create and explore the sonic world together.



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		<title>BODY, COMMUNITY, ART</title>
				
		<link>https://taigatrigo.com/BODY-COMMUNITY-ART</link>

		<pubDate>Wed, 19 Jun 2024 11:38:36 +0000</pubDate>

		<dc:creator>taiga trigo</dc:creator>

		<guid isPermaLink="true">https://taigatrigo.com/BODY-COMMUNITY-ART</guid>

		<description>Body, Community, Art




&#60;img width="5616" height="3744" width_o="5616" height_o="3744" data-src="https://freight.cargo.site/t/original/i/936abdefbe5f84b1ed793e14e27f6fa133a9de4c23dc4e8da8867f277635fe70/_MG_8790.JPG" data-mid="213189378" border="0"  src="https://freight.cargo.site/w/1000/i/936abdefbe5f84b1ed793e14e27f6fa133a9de4c23dc4e8da8867f277635fe70/_MG_8790.JPG" /&#62;





“Taiga Trigo explores the topic of RESILIENCE from a queer perspective .: what role do our own bodies, communities or art play in dealing with stress and how can they contribute to resilience? In collaboration with artists Danilo Timm and Carina Speck, she developed a set of somatic exercises to track down the feeling of being "capable", &#38;nbsp;strategies for self-regulation and to articulate these linguistically and vocally. "Body, Community, Art" interprets the ability to express a wide range of emotions required for resilience through a broad spectrum of sound dynamics, modulations and cinematic effects.
 
 Taiga Trigo is a multidisciplinary artist and audio professional. In her artistic practice, she combines practical and theoretical research on sound, language and social practices of listening. For example, she explores her own voice experimentally: what happens when we speak, sing or shout? What anatomical processes take place? And what traces of our own biography are inscribed in our voice? Taiga’s audio pieces, video works and installations are often created site-specifically and in collaboration with other artists and musicians” Eva-Maria KnüselKunsthaus Langenthal



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		<title>TO MAKE OR BECOME SOUND</title>
				
		<link>https://taigatrigo.com/TO-MAKE-OR-BECOME-SOUND</link>

		<pubDate>Mon, 31 Jan 2022 15:19:49 +0000</pubDate>

		<dc:creator>taiga trigo</dc:creator>

		<guid isPermaLink="true">https://taigatrigo.com/TO-MAKE-OR-BECOME-SOUND</guid>

		<description>
	
To make or become Sound
	

The shift from unwell to well implies a movement, or predominantly three: an act of release, of grounding and one of rising.


	Ambisonics composition and spatial light installation 25min loop. First shown at KulturHaus Steglitz, Berlin, June 2021 as part of the collective exhibition “REFLEXIONS”.
&#60;img width="1209" height="907" width_o="1209" height_o="907" data-src="https://freight.cargo.site/t/original/i/0a7ac70dadb4999c3ee2e5d8ec75273a3dbdf8d91ded6bf422dd3054d4fb08a6/orange-4.3.2.jpg" data-mid="132015948" border="0"  src="https://freight.cargo.site/w/1000/i/0a7ac70dadb4999c3ee2e5d8ec75273a3dbdf8d91ded6bf422dd3054d4fb08a6/orange-4.3.2.jpg" /&#62;
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The shift from unwell to well implies a movement, or predominantly three: an act of release, of grounding, and one of rising.

To Make or Become Sound began as an investigation into “sound” as adjective - whole, sane, healed - and the ways in which sound, as verb and noun, has been used to bring about healing. In composition, the research took a more personal turn.

The resulting installation invites visitors to slow down and look inward. Lying or sitting within a circle of eight speakers on an octagonal rug, they are guided through a ~25-minute sonic journey assembled largely from self-recorded sessions with artist friends. The experience unfolds across nine parts - five acts of grounding, two of release, two of arousal - moving between resonance and emotional catharsis, political protest and lullaby, the body and its breath.

The piece does not aim to heal or to educate. It offers instead a space of curiosity - a chance to sense the many ways one might find balance.

Composed in Ambisonics spatial audio format.

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		<title>SOUNDSCAPES OF A LIFE</title>
				
		<link>https://taigatrigo.com/SOUNDSCAPES-OF-A-LIFE</link>

		<pubDate>Mon, 31 Jan 2022 15:19:53 +0000</pubDate>

		<dc:creator>taiga trigo</dc:creator>

		<guid isPermaLink="true">https://taigatrigo.com/SOUNDSCAPES-OF-A-LIFE</guid>

		<description>
	

Soundscapes of a Life
	
Just as we are perpetually surrounded by sound, the quotidian soundscapes of the places we have lived in become subtly embedded in our sense of home, familiarity and belonging, and, by extension, in the fabric of our memory and identity.

	Soundscapes of a Life is an interactive sound installation and conversation piece, first shown at the environmental sound art festival “Lisboa Soa”, in September 2019.

    
 
&#38;nbsp;

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Soundscapes of a Life takes the form of a park bench fitted with seven monophones, each playing carefully selected field recordings characteristic of a city the artist has lived in: Berlin, Lisbon, Paris, Rio, Leicester, Munich. Visitors are invited to sit, listen, and enter into conversation with the artist about the soundscapes of their own life. They are then invited to explore freely, removing the monophones and holding them to their ears in any combination they choose.

The result of listening to one city with one ear and another with the second can produce a stereo cacophony, a sonic image of something otherwise impossible: the migrant desire to exist in many places at once. For a moment, the bench becomes a time machine of simultaneity, offering what no passport or plane ticket can, the superpower of being fully, bodily present in more than one place, more than one life, at the same time.

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	&#60;img width="5616" height="3744" width_o="5616" height_o="3744" data-src="https://freight.cargo.site/t/original/i/9a7355015cd531d81f6d6c9ee6631feb5e4edc7fb93fec0535e11dfc0971a317/catalogo-colage.jpg" data-mid="132367574" border="0"  src="https://freight.cargo.site/w/1000/i/9a7355015cd531d81f6d6c9ee6631feb5e4edc7fb93fec0535e11dfc0971a317/catalogo-colage.jpg" /&#62;</description>
		
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	<item>
		<title>OUT OF THE VOX</title>
				
		<link>https://taigatrigo.com/OUT-OF-THE-VOX</link>

		<pubDate>Mon, 31 Jan 2022 15:19:54 +0000</pubDate>

		<dc:creator>taiga trigo</dc:creator>

		<guid isPermaLink="true">https://taigatrigo.com/OUT-OF-THE-VOX</guid>

		<description>
	Out of the Vox


	What happens when voice happens?Mechanics in action, both within the body as well as surrounding it; voice carries in it marks of identity or an Autobiography that is revealed when vocalizing; voice is also naturally transgressive and, as such, voice is inseperable from Agency.&#38;nbsp;&#38;nbsp;


Out of the Vox is an Audiovisual work in three chapters, intended for screen or projection with headphones. First shown at SoundsAbout Berlin gallery in 2019

"The listener should not have simply learned something new: the point is, rather, to make him or her aware of another disturbing side of something he or she knew all the time." — Slavoj Žižek, The Parallax View, MIT Press, 2006 (preface)

	


	



What happens when voice happens?&#38;nbsp;

Out of the Vox is an audiovisual object born from an extended practical and theoretical research into the voice, as material, as somatic event, as carrier of identity, and as act of agency. It is composed of three independently selectable chapters:

I. Mechanics - an inquiry into the physiology and resonance of the voice, developed through months of daily vocal practice, collaboration with dancers trained in voice work, and the observation of sounding bodies both human and animal.

II. Autobiography - tracing the intimate link between voice and identity through recovered childhood recordings, collected testimonies from friends and strangers, and a dialogue between the self who speaks and the self who is remembered.

III. Agency - shaped by a five-day voluntary silence at a rural retreat, this chapter explores what voice claims, disrupts, and makes visible, and what is lost, or found, in its absence.

Together, the three chapters form a single proposition: that the voice is not simply something we have, but something that happens through us. A threshold between the body and the world, between the self and those who receive it.

&#60;img width="544" height="302" width_o="544" height_o="302" data-src="https://freight.cargo.site/t/original/i/3cb3280ae07d4b5779d9e25eaa6a6272ce38545cb6a017da25a2c6593644075b/Screen-Shot-2019-07-31-at-11.23.50-PM.png" data-mid="132016013" border="0" data-scale="50" src="https://freight.cargo.site/w/544/i/3cb3280ae07d4b5779d9e25eaa6a6272ce38545cb6a017da25a2c6593644075b/Screen-Shot-2019-07-31-at-11.23.50-PM.png" /&#62;&#60;img width="1671" height="935" width_o="1671" height_o="935" data-src="https://freight.cargo.site/t/original/i/293b7f6ce7e8fb4b40dbb1d6db9400948dbb27a13ccbac87d7aab5cd924e3aeb/Screen-Shot-2022-01-04-at-4.20.48-PM.png" data-mid="132709774" border="0" data-scale="50" src="https://freight.cargo.site/w/1000/i/293b7f6ce7e8fb4b40dbb1d6db9400948dbb27a13ccbac87d7aab5cd924e3aeb/Screen-Shot-2022-01-04-at-4.20.48-PM.png" /&#62;
II.

III.




</description>
		
	</item>
		
		
	<item>
		<title>OVERTLY LISTENING BODY</title>
				
		<link>https://taigatrigo.com/OVERTLY-LISTENING-BODY</link>

		<pubDate>Mon, 31 Jan 2022 15:19:51 +0000</pubDate>

		<dc:creator>taiga trigo</dc:creator>

		<guid isPermaLink="true">https://taigatrigo.com/OVERTLY-LISTENING-BODY</guid>

		<description>
	

Overtly Listening Body
	
A curious listening body seems to move differently when guided primarily by its ears.

No longer at a constant distance from the ground, the ears draw the body to different heights, turn it around objects, pull it back and forth, find new planes. Especially when exploring sounds whose sources the eyes cannot predict.
OVERTLY LISTENING BODY Artistic research in progress, performance and sound First iteration: Berlin Mitte, 2019, in response to a Magnetic Studies class by Christina Kubisch at the UDK&#60;img width="2480" height="1063" width_o="2480" height_o="1063" data-src="https://freight.cargo.site/t/original/i/8b8d693bc0d3aded0826d18b002017d4f8bffdcd67d25778b21a2339f83af50b/listening-body-cinemascope.jpg" data-mid="132015978" border="0"  src="https://freight.cargo.site/w/1000/i/8b8d693bc0d3aded0826d18b002017d4f8bffdcd67d25778b21a2339f83af50b/listening-body-cinemascope.jpg" /&#62;





	&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/3b72dcdedbc6c5faf8a1efc751192cd68b3f37d17def3a4528e61494dd4de84b/20181102_082415.jpg" data-mid="132015979" border="0" data-scale="55" src="https://freight.cargo.site/w/1000/i/3b72dcdedbc6c5faf8a1efc751192cd68b3f37d17def3a4528e61494dd4de84b/20181102_082415.jpg" /&#62;
	&#60;img width="1280" height="960" width_o="1280" height_o="960" data-src="https://freight.cargo.site/t/original/i/d7e384bdc813058ecdbfbe50e89c1cdae13b01bbd2ec7269ca1c878b61bd9eda/OLB-4.3.jpg" data-mid="132015980" border="0"  src="https://freight.cargo.site/w/1000/i/d7e384bdc813058ecdbfbe50e89c1cdae13b01bbd2ec7269ca1c878b61bd9eda/OLB-4.3.jpg" /&#62;

Overtly Listening Body is a study on movement in connection to listening, and on being observed while listening, as an alternative to movement guided by sight. A body made overtly, visibly all-ear, navigates space differently. It gravitates toward surfaces, crouches into corners, pauses where a passerby would not. The act of deep listening becomes legible as physical behaviour.

First put into action in Berlin Mitte in 2019, this work is intended as the beginning of a wider artistic research that will involve performance, the collection of sounds, and the capture of movement.</description>
		
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