To make or become Sound
The shift from unwell to well implies a movement, or predominantly three: an act of release, of grounding and one of rising.
Ambisonics composition and spatial light installation 25min loop. First shown at KulturHaus Steglitz, Berlin, June 2021 as part of the collective exhibition “REFLEXIONS”.
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The shift from unwell to well implies a movement, or predominantly three: an act of release, of grounding, and one of rising.
To Make or Become Sound began as an investigation into “sound” as adjective - whole, sane, healed - and the ways in which sound, as verb and noun, has been used to bring about healing. In composition, the research took a more personal turn.
The resulting installation invites visitors to slow down and look inward. Lying or sitting within a circle of eight speakers on an octagonal rug, they are guided through a ~25-minute sonic journey assembled largely from self-recorded sessions with artist friends. The experience unfolds across nine parts - five acts of grounding, two of release, two of arousal - moving between resonance and emotional catharsis, political protest and lullaby, the body and its breath.
The piece does not aim to heal or to educate. It offers instead a space of curiosity - a chance to sense the many ways one might find balance.
Composed in Ambisonics spatial audio format.
![]()
![]()
The shift from unwell to well implies a movement, or predominantly three: an act of release, of grounding, and one of rising.
To Make or Become Sound began as an investigation into “sound” as adjective - whole, sane, healed - and the ways in which sound, as verb and noun, has been used to bring about healing. In composition, the research took a more personal turn.
The resulting installation invites visitors to slow down and look inward. Lying or sitting within a circle of eight speakers on an octagonal rug, they are guided through a ~25-minute sonic journey assembled largely from self-recorded sessions with artist friends. The experience unfolds across nine parts - five acts of grounding, two of release, two of arousal - moving between resonance and emotional catharsis, political protest and lullaby, the body and its breath.
The piece does not aim to heal or to educate. It offers instead a space of curiosity - a chance to sense the many ways one might find balance.
Composed in Ambisonics spatial audio format.
